Jul 10

Wildscreen is the team behind Arkive! We’re also behind the world’s biggest festival of natural history storytelling. And we’ve now announced the nominees for the 2018 edition of international wildlife film, TV and content industry’s highest honour – the Wildscreen Panda Awards!

The ocean epic, BLUE PLANET II, leads the nominations picking up seven nods for the world-renowned BBC Studios’ Natural History Unit, in recognition of its stunning cinematography and never-before-seen animal behaviour. Keo Films’ RISE OF THE WARRIOR APES, which brings a gripping investigative approach to natural history documentary, follows closely with five nominations, topping the craft categories for its technical excellence.

Intimate personal stories and the use of authentic voices, with them being integral to the over-arching narratives of a production, is a standout theme across the 17 categories. The expert testimony and passion of scientists is central to many productions including JANE and ONE STRANGE ROCK.


“Humanity’s relationships and interactions with the natural world is what truly stood out amongst the nominees this year”, said Lucie Muir, Wildscreen CEO.  “We’re at a point in our history where we either choose to protect nature or we all suffer the consequences. Storytelling is a powerful tool for positive change and it was so encouraging to see a particularly strong field in the Impact award category in 2018. It was so strong in fact, that we took the decision to double the number of nominees, creating two sub-categories – small and large budget – recognising that big impacts and change is possible on any budget. These stories share hope and optimism for the future of our natural world and our place within it.”

The 2018 line-up also sees the first ever VR contender in the Awards’ 36 year history, with THE PROTECTORS receiving a nomination for the Innovation Award.

Oscar-winning Dame Judi Dench’s, MY PASSION FOR TREES, sees her nominated for the Presenter Award alongside Chris Packham and BBC wildlife cameraman, Vianet Djenguet.

The shortlist features productions from 12 countries, including Qatar for the first time, with each of the 37 nominees standing out amongst nearly 800 entries to Wildscreen’s international jury of more than 40 world-leading producers, broadcasters and craft professionals. But it’s not just the industry that decides the outstanding productions of the past two years. The Children’s Panda Award nominees were chosen by a 30-strong jury of 8-12 years olds from Easton in Bristol and a school in León, Mexico.

The winners will be revealed at the Panda Awards Ceremony which will take place on 19 October at The Passenger Shed, Brunel’s Old Station, in Bristol. The gala is the climax to the Wildscreen Festival, the biggest global gathering of natural world storytellers, which sees over 900 of the world’s leading filmmakers, photographers, broadcasters and content creators convene in Bristol for a week of business, film premieres and an unrivalled programme of 120+ hours of content from more than 150 speakers from across the globe.

If you love the sound of the Wildscreen Festival 2018 and want to keep up to date with the latest news, why not visit wildscreen.org/festival to find out more!

May 8

For the first time in its 36 year history, the 2018 Wildscreen Panda Awards, widely regarded as the most prestigious accolade in the wildlife film and TV genre, will recognise the craft of wildlife photography, with the introduction of the Wildscreen Photo Story Panda Award.

The Panda Awards ceremony is the flagship event of the Wildscreen Festival, the world’s biggest global gathering and celebration of screen-based natural history storytelling. The photo award is being launched to further cement the conservation charity’s commitment to and belief in photography as a powerful and impactful tool for raising awareness about and protecting the natural world across society.  It will celebrate and recognise the very best in photographic narrative, uniting it alongside the world’s very best natural world film talent.

© Neil Aldridge

Announcing the award, Wildscreen’s Director, Lucie Muir, said: “ As we approach CBD 2020, in Beijing, it is essential for the future of our planet that everyone understands the critical importance of biodiversity and the responsibility we all have to protect it. Therefore, there is no better time for Wildscreen to recognise the craft of wildlife and environmental photographers in telling nature’s stories, side by side and united with the world’s best filmmakers. Our community of talented storytelling professionals are transforming the way people see and understand nature, they are our eyes on our natural world and a voice for those that cannot speak, and it’s our role to celebrate and thank them.”

Jury Chair, Sophie Stafford, said: “Storytelling has been part of the fabric of society since the dawn of human language, but in a world addicted to instant gratification it’s a skill that is being lost. Sadly, there’s never been a time it was needed more. As pressures on the natural world become ever more intense, there is no better time to launch a photo award to showcase the most important and compelling wildlife stories of our time. This new Panda Award will reward dedicated photographers for committing the time and resources required to shoot a well-rounded story, and highlight the beauty of our planet and the challenges it faces.

 

CALL FOR ENTRIES

Entrants have between the 18 April to 8 June 2018 to submit photo stories comprising of between six to ten images that have an aspect of the natural world as a central focus, with a clear and powerful narrative weaved between the images.

The competition is open to professional and amateur photographers worldwide, over 18 years. The judges will also be looking for exceptional emerging talent photographers, under the age of 30, which will be considered for an ‘Emerging Talent Photo Story Panda Award’.

© Neil Aldridge

Entries can be made via the online submission portal on the Wildscreen website, available at: www.wildscreen.org/panda-awards

 

Judges

The inaugural competition will be judged by a stellar panel of international photography professionals, including –  Kathy Moran (USA), Senior Editor (Natural History), National Geographic Magazine; Britta Jaschinski (Germany/UK) photojournalist and co-founder of Photographers Against Wildlife Crime; Peter Cairns (UK) nature and conservation photographer and founding director of The Wild Media Foundation and Jasper Doest (Netherlands) conservation photographer.

The jury will be chaired by wildlife magazine editor and seasoned international photography competition judge Sophie Stafford (UK) and award-wining conservation photographer Neil Aldridge, winner of the World Press Photo 2018 Environment category, as the competitions’ technical consultant.

© Britta Jaschinski

 

Prizes

Three nominees will be announced in August with the overall winner revealed at the Wildscreen Panda Awards ceremony on Friday 19 October 2019. Each of the nominated photo stories will be featured in a large-scale outdoor photography exhibition in central Bristol, UK, in October 2018, reaching a public audience of over 45,000. Nominees will also be invited to present their work during the internationally-renowned Wildscreen Festival programme, as part of its unrivalled line-up of industry leaders.

Wildscreen Festival

The Wildscreen Panda Awards, nicknamed the ‘Green Oscars’, have sat at the heart of the Wildscreen Festival since it was founded in 1982. Taking place every two years, over 900 filmmakers, photographers and broadcasters from over 40 countries, convene in Bristol, UK for one week to do business, collaborate and celebrate the nature storytelling genre.

The Wildscreen Festival 2018 takes place from October 15 to 19 and will deliver an unrivalled programme of film screenings, keynotes, masterclasses and networking.

May 18

Daniel Craven is Durrell Wildlife Conservation Trust‘s Volunteer Manager, based at Jersey Zoo since 2001. A former professional footballer, Daniel is a lover of travel, animals and conservation. Durrell’s Underdogs is his first film and was made with the fantastic team of Dean Maryon, Bex Bohea, Shaz Syed and Marc Mitchell. It is an official selection at the 2017 Wildlife Conservation Film Festival in New York. This is his story.

Daniel Craven © Craig Jones

Daniel Craven © Craig Jones

My journey to India to make a film about the smallest and rarest pig in the world is one I will never forget. It was a wild ride but nothing compared to the epic journey of survival the pygmy hog, an animal once thought to be extinct, has had to go through.

‘Durrell’s Underhogs’ traces the origins of Gerald Durrell and ‘The Durrells’, in India, before joining up with conservationists Durrell inspired and who today are giving the pygmy hog a fighting chance. My journey started in Jamshedpur where Gerald was born. There I discovered more about the life of Gerald’s father, Lawrence Durrell, an ambitious and gifted civil engineer who ran the Darjeeling Himalayan Railway before working for TATA steel, as I learned more about his father it became clearer where Gerald’s drive to save species from extinction came from.

Pygmy hog © Craig Jones

The ‘underhog’ is fighting for survival © Craig Jones

The pygmy hog is one of the rarest animals in the world. It’s a typical Durrell project – a so-called “little brown job”.

These nest building bullet shaped mini pigs struggle for survival alongside the big mega fauna of tigers, rhinos and elephants that share its habitat and hog the limelight. Raising awareness, conservation support and funding to save this little hog is tough. It’s a real “under-hog”.

Pygmy hogs build and live in nests made of the grasses found in their vulnerable grassland habitat © Craig Jones

Pygmy hogs build and live in nests made of the grasses found in their vulnerable grassland habitat © Craig Jones

The Pygmy Hog Conservation Programme (PHCP) has been running since 1996 and is made up of a team of partners; Durrell Wildlife Conservation Trust, IUCN SSC Pigs Peccaries and Hippos Specialist Group, Ecosystems India, Government of Assam, and the Ministry of Environment and Forests, Government of India.

Arriving at the PHCP centre in Guwahati, Assam was fantastic. It’s one of the only places in the world to see pygmy hogs.

Hogs are bred at the centre to be released into the wild. It’s like a kindergarten for baby hogs with hoglets learning the basics from their mothers and siblings in a controlled, supportive and natural environment.

Mother and hoglet © Craig Jones

Mother and hoglet © Craig Jones

The second stage is more like being at university. Support is gradually taken away from the older hogs and they are expected to stand on their own four feet! This environment is similar to the wild areas where they will be released. Before graduating, the hogs must know how to feed themselves on insects, roots and tubers, similar to what they would seek out in the wild.

Baby hogs or hoglets are about the size of a computer mouse with legs! © Craig Jones

Baby hogs or hoglets are about the size of a computer mouse with legs! © Craig Jones

The project team, keepers and support staff that have been running the programme for the last 20 years are a breed apart. They share the same unwavering commitment to conservation as Gerald Durrell. They’re proud of the work they are undertaking to save a species from extinction. And step by step, they’re winning that battle. Massive restoration work has been done in Barnardi Wildlife Sanctuary to revive an area of grassland habitat where they once roamed. This beautiful area bordering Bhutan is the very park where the hogs were rediscovered in 1971 and can once again call their home.

The Durrell team enjoy a light moment during the catch-up and transportation of the hogs © Craig Jones

The Durrell team enjoy a light moment during the catch-up and transportation of the hogs © Craig Jones

Witnessing the 100th hog released back into Bornadi was a great example of how scientific evidence together with dedication, planning and hard work can pay off.

Pygmy hogs © Craig Jones

Pygmy hogs © Craig Jones

Durrell experts know how to save this species and they are doing it with the continued support of people who care about this remarkable little creature, thanks to them this “Under-hog” species has a fighting chance. If you would like to give pygmy hogs a helping hand, please consider donating to Durrell or becoming a member.  The documentary ‘Durrell’s Underhogs’ can be viewed through the Durrell website www.durrell.org/underhogs

To watch Durrell’s Underhogs film, visit their website

Find out more about pygmy hogs on their Arkive species profile

 

May 16

Arkive would like to introduce The Wait, a short film from production company Contra, which follows the journey of a wildlife photographer on a hunt to document the elusive European bison in its natural habitat of the Romanian mountains. The story details how it can take weeks to capture a shot, and the patience required to wait for this moment.

We have been speaking with Michel d’Oultremont, wildlife photographer and subject of the film, to learn about his motivations for wildlife photography.

Who are you and what is your profession?

Hello, my name is Michel d’Oultremont, I’m 25 years old and I have been a wildlife photographer since the age of 10 – I have had the great fortune of starting very young with an unconditional love for wildlife!

Michel d’Oultremont

Michel d’Oultremont

 

We found The Wait to be very emotive. Can you tell us more about your relationship with the natural world and why you wanted to photograph the European bison?

My relationship with nature is very special – I spend hours and hours in the wild trying to find and observe wildlife. It’s a way of life for me! Since the WWF (Worldwide Wildlife Fund) has started to reintroduce wild bison into the Carpathian Mountains of Romania, it has been a dream of mine to explore this region and to see these spectacular beasts. I’ve always been quite drawn to big animals like bears and muskox, so the bison is the next logical progression of that passion!

European bison © John Ford

Your creativity with the landscape shows through your work, do you have a specific image or style in mind before you begin shooting?

It all depends – I like to capture the animal in its natural habitat, so often I have to relocate to find the best light and environment. Once I’m set up, I wait for an animal to pay me a visit: a nature photo is a meeting – you just have to wait for it to happen. Although sometimes I do think more about the image and I try to realise it in any way I can.

What do you want to say with your photographs, and how do you actually get your photographs to do that?

It may sound stupid, but I try to capture beauty in my photographs, to show the beauty of wildlife. So I try to take photographs that highlight this beauty and make for aesthetically pleasing pictures. When I manage this it is a real pleasure, but it doesn’t happen very often – maybe four or five times in a year.

Short-eared owl fight over a mouse during winter in France, no bait used © Michel d’Oultremont

Is focusing on a reintroduced species of particular importance to you? Do you feel any extra pressure when capturing images of a rare creature?

This type of project is very important because it allows wildlife to come back to its stomping ground. The work of the WWF is very important – they make the reintroduction of wildlife into the mountains possible! I don’t seek out rare animals especially, I photograph everything that happens to pass in front of my lens so it’s more that I am opportunistic.

This picture was taken in Belgium right next to my house, this nice owl decided to nest in a tree that I know very well, a real treat to be able to observe them naturally  © Michel d’Oultremont

Which animals and landscapes would you most like to photograph if you had no constraints?

That’s a really difficult question, there are many species I dream of photographing, like the Persian panther or the Siberian tiger. I would also love to go to the Canadian Arctic to see Polar Bears! There is still a lot to see, and that’s what’s great!

The Wait conveys a sense of solitude and at times loneliness, what is the longest and hardest time you have spent waiting for a subject?

I have had to wait several weeks before finding the subject and light I’ve been hoping for! But this isn’t restrictive because there are always things happening. The most difficult conditions I’ve experienced are without a doubt winter in Norway, where I was caught in a huge snow storm, but I love that these difficult conditions bring a sense of poetry to the images.

“I stayed at a location in Sweden for a week waiting for the singing black grouse. One morning the whole area was frosted, the sun was reflected on a cloud and in the drops of water, which gives these incredibly magical colours!” © Michel d’Oultremont

What is one thing you may recommend in wildlife photography?

The best advice, I think, is to know and research the species well, and do everything you can not to disturb the wildlife.

Top three items you never travel without?

The three things I always travel with – apart from my photographic equipment, of course – are my binoculars that I always take with me, my knife for quickly making a natural shade, and my notebook to try and write down everything I experience in the field.

Romanian Mountains © Michel d’Oultremont

Romanian mountains © John Ford

We’d like to thank Michel for speaking with us. If you’d like to see more of Michel’s work you can visit his website, or find him on Facebook, Twitter and Instagram.

You can also visit The Wait website to watch the film and read more about the team behind it.

Nov 29

Wildscreen’s mission is to convene the best filmmakers and photographers with the most committed conservationists to create compelling stories about the natural world; that inspire the wider public to experience it, feel part of it and protect it.

Films and photographs have an amazing power – they are able to transcend boundaries of language and knowledge – and are one of the most important tools that conservation organisations have to communicate with the public. This is why we are creating our own films and photographs, working with the best filmmakers and photographers to tell the amazing stories of the world’s conservation organisations and the species they work with.

Pangolins

Our most recent film was made with award-winning production company Five Films and kindly narrated by stand-up comedian Sarah Millican. It tells the story of Save Vietnam’s Wildlife, an amazing conservation organisation who rescue and rehabilitate wildlife. In the film, a group of pangolins that have been rescued from wildlife traffickers are cared for by the SVT staff, before being taken back to the forest to be released. Watch it here:

pango copy

Pangolins are in trouble. They are the world’s most trafficked mammal, and are also an animal that most people haven’t heard of. If people don’t know about an issue, they are won’t care about it, so sharing this film and your knowledge of these amazing animals is one of the best things you can do to help save them.

Gannets

Earlier in the year we worked with wildlife photographer Sam Hobson to tell the story of the gannet nesting colony on Grassholm Island. Due to the position of the island and the currents surrounding it, the island has become extremely polluted with washed-up plastic. Gannets are frequently caught in the fishing line, packaging and other plastic items that they nest on, often leading to their demise. Due to gannets having nest fidelity, clearing the litter is not an option as this would disturb the breeding habits of the colony, which could affect the entire population.

Our recent photo story with Sam Hobson. telling the story of a polluted gannet nesting islandFortunately, the gannets have some superheroes in the shape of a team of RSPB volunteers who visit the island during the breeding season and attempt to cut as many individuals free as they can. Risking life and limb, the dedication of these volunteers is extremely admirable and the telling of their story generated conversation and raised awareness throughout the UK, hopefully leading to people thinking twice before disposing of their plastic litter irresponsibly.

 

We would love to help even more conservation organisations and endangered species get their stories heard by creating more films and photographs that reach as many people as possible. Please help us to do this by donating to Wildscreen this #GivingTuesday.

Thank you!

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