The Wildscreen Festival is the world’s biggest global gathering of natural world storytellers. It convenes over 850 filmmakers, photographers, broadcasters, technologists and conservationists from over 40 countries for one week in Bristol, UK, to celebrate and nurture the wildlife film and TV genre.
Since its inception in 1982, each Festival has utilised wildlife photographs or illustrations to provide its unique and memorable visual identity. As the 2018 Festival draws closer, we are thrilled to introduce Lorna Leigh Harrington, whose illustrations will become the face of this year’s Festival. We have commissioned Lorna to create five illustrations of species that highlight the diversity of life on Earth, focusing on the more underappreciated or endangered species from different habitats. The species are: the Iberian lynx, helmeted hornbill, Muller’s mushroomtounge salamander, Queen Alexandra’s butterfly and sea urchins, all of which will have their time in the spotlight throughout the Festival and will be showcased in this blog series.
We spoke to Lorna about her passion for the natural world and how it inspires her work.
Wildscreen are extremely excited that your illustrations will become the visual identity of the 2018 Wildscreen Festival. Firstly, and most importantly: what is your favourite animal & why?!
My favourite animal would have to be an elephant. I’ve loved them since I was a kid. It amazes me that they can express emotions such as joy, love and grief. They are beautiful and intelligent.
Tell us a bit about yourself and how you started in this creative industry
I’ve always had a real passion for art and design, and have always doodled. I find drawing really cathartic. I started working within the industry shortly after graduating university, taking up a few intern roles in London for a couple of magazines and a fashion website. After this I worked as a freelance illustrator and designer for a few years which took me from sunny Bognor Regis to Bristol city life. I have been lucky enough to work for some really great clients over print, web, app design and fashion.
What was it about this particular project that made you want to get involved?
I think that Wildscreen is such a fantastic way to celebrate Natural history film makers, and is a great way to get people excited about conservation and learning about new species. I’ve learnt a lot about the species chosen for Wildscreen’s branding!
When you decide to create a new piece of work, what is your process?
I work for Aardman Animations by day as a Graphic Designer, so I’m constantly in a creative environment which provides a great hub of inspiration. I get inspired by the world around me, whether it be from a song I’ve heard on the radio, a poem or even a road sign! Usually I will get an idea during the day and will make a note of it and begin work of an evening, and tend to not sleep until they have been executed on paper.
What techniques/mediums do you use to create your illustrations?
I tend to sketch an outline in pencil and then go over it with a black ballpoint pen, adding in detail. A sketch never feels complete to me until I have added some strong black lines. I then scan the image into photoshop where I colour and add textures and layers.
The natural world features heavily in your work, what is it about nature and wildlife that inspires you?
I’ve always had a fascination with the world around us, and particularly the animals that inhabit it with us. As a kid I had a lot of pets, so I put this interest down to that. I think that species can be so diverse in shape and colour that the possible outcomes of a piece of work are never ending.
What is your favourite subject to draw?
Aside from animals and plants, I also love drawing faces, and experimenting with shading. I have recently got into painting large portraits on canvases with acrylic. I like to mix up my style from time to time.