Aug 28

So you’ve watched all the BBC natural history & David Attenborough TV shows, you’ve been inspired by our filmmaker blogs and you have a fantastic film idea for Earthwatch’s Young Earthwatch Film Competition… but how to actually go about and make a film?!

With some help from the BBC and the educational charity IntoFilm, let us take you through some of the important aspects of filmmaking!

 

#1 – Storyboard

Story-what?! Storyboarding is an incredibly important aspect of filmmaking, it ensures your film has structure, no one wants to watch a bunch of random clips in no order!

 

#2 – Structure

The structure is similar to storyboarding, but goes a little deeper. We’ve established you need to have a beginning, middle and end, but why?

What is your story about?! What happens.. and to who? And how will it end?! SO MANY QUESTIONS!

 

 

#4 Lighting

Before you put all that effort into filming a magical moment.. make sure the audience will see it as clearly as you can. Lighting can really bring out the detail in a scene and make the viewer go WOW!

Equally, poor lighting can have your audience squinting at the screen wondering what they’re looking at..

 

 

#5 Sound

It may seem obvious, but making sure you’ve got clear audio is simply a must!

 

 

#6 Editing

You’re nearly there! Editing is all about choosing the best of what you’ve captured, and putting it all together in order.

Make sure it’s not too long, not too short, it’s your chance to add that extra polish to your scene: whether it’s a sound effect, cropping a scene, adding slo-mo or a even a time-lapse.

 

Hopefully these pointers will help you form a plan that finds you thoroughly enjoying the filmmaking process and not left scratching your head!

Entry for the Young Earthwatcher Film Competition is already open, and the submissions deadline is the 19th of September 2018, so if you’re feeling creative, then get to work planning that storyboard.

Remember, the winner of the film comp’ receives a prestigious Panda Award as well as a Panasonic Lumix DC-FT7  waterproof camera, and the two runners up grab a Panasonic Lumix DMC-FT30!

ENTER NOW!

www.earthwatch.org.uk/get-involved/young-earthwatcher-film-competition

 

Aug 16

This summer, environmental charities Earthwatch Europe and Wildscreen are looking for the UK’s best young environmental filmmakers. For the first time, the Young Earthwatcher Film Competition invites teens to create inspiring and informative conservation media to be shown at the world’s leading international festival celebrating natural history filmmaking – the Wildscreen Festival.

Open to UK residents aged 14 to 17, the competition calls for short, creative films highlighting any environmental issue and presenting a solution or action people can take to help meet the challenge. Steve Gray, Chief Executive of Earthwatch Europe, said: “Young people today will inherit a world shaped by our actions over the next decade, so engaging young citizens in environmental issues is key to a sustainable future for all. We hope the competition encourages young people to explore the natural world around them and inspire each other to find innovative solutions to pressing challenges.”

Through the process of making their film, participants will not only benefit from connecting with nature, getting creative and developing their communication skills, but will also play a valuable role in motivating their peers – the next generation of Earthwatchers.

“At Wildscreen we are passionate about nurturing the next generation of natural world storytellers and we are particularly eager to encourage a greater diversity of voices,” said Lucie Muir, Wildscreen Director. “The Young Earthwatcher Film Competition is part of this: a way for young people to explore and report on the environmental issues that concern them, inviting fresh ideas and new perspectives.”

The winner of the Young Earthwatcher Film Competition will walk away with a prestigious Panda Award – the ‘Green Oscar’ of the wildlife filmmaking world – and receive a Lumix DC-FT7 waterproof camera, courtesy of Wildscreen Festival sponsor Panasonic UK. Each of the runners-up will receive a Lumix DMC-FT30 waterproof camera. All competition finalists will receive an invitation to the Earthwatch event for the premiere of their films during the Wildscreen Festival in Bristol in October.

What are we looking for?

The film must:

  • – Introduce an environmental issue
  • – Present a solution or action that people can take
  • – Be no more than two minutes long

Further details, rules and registration can be found at www.earthwatch.org.uk/filmcompetition.

Dates for the diary:

  • – Competition deadline: 19 September 2018
  • – Finalists announced: 24 September 2018
  • – Earthwatch event at Wildscreen Festival: 17 October 2018
Jul 10

Wildscreen is the team behind Arkive! We’re also behind the world’s biggest festival of natural history storytelling. And we’ve now announced the nominees for the 2018 edition of international wildlife film, TV and content industry’s highest honour – the Wildscreen Panda Awards!

The ocean epic, BLUE PLANET II, leads the nominations picking up seven nods for the world-renowned BBC Studios’ Natural History Unit, in recognition of its stunning cinematography and never-before-seen animal behaviour. Keo Films’ RISE OF THE WARRIOR APES, which brings a gripping investigative approach to natural history documentary, follows closely with five nominations, topping the craft categories for its technical excellence.

Intimate personal stories and the use of authentic voices, with them being integral to the over-arching narratives of a production, is a standout theme across the 17 categories. The expert testimony and passion of scientists is central to many productions including JANE and ONE STRANGE ROCK.


“Humanity’s relationships and interactions with the natural world is what truly stood out amongst the nominees this year”, said Lucie Muir, Wildscreen CEO.  “We’re at a point in our history where we either choose to protect nature or we all suffer the consequences. Storytelling is a powerful tool for positive change and it was so encouraging to see a particularly strong field in the Impact award category in 2018. It was so strong in fact, that we took the decision to double the number of nominees, creating two sub-categories – small and large budget – recognising that big impacts and change is possible on any budget. These stories share hope and optimism for the future of our natural world and our place within it.”

The 2018 line-up also sees the first ever VR contender in the Awards’ 36 year history, with THE PROTECTORS receiving a nomination for the Innovation Award.

Oscar-winning Dame Judi Dench’s, MY PASSION FOR TREES, sees her nominated for the Presenter Award alongside Chris Packham and BBC wildlife cameraman, Vianet Djenguet.

The shortlist features productions from 12 countries, including Qatar for the first time, with each of the 37 nominees standing out amongst nearly 800 entries to Wildscreen’s international jury of more than 40 world-leading producers, broadcasters and craft professionals. But it’s not just the industry that decides the outstanding productions of the past two years. The Children’s Panda Award nominees were chosen by a 30-strong jury of 8-12 years olds from Easton in Bristol and a school in León, Mexico.

The winners will be revealed at the Panda Awards Ceremony which will take place on 19 October at The Passenger Shed, Brunel’s Old Station, in Bristol. The gala is the climax to the Wildscreen Festival, the biggest global gathering of natural world storytellers, which sees over 900 of the world’s leading filmmakers, photographers, broadcasters and content creators convene in Bristol for a week of business, film premieres and an unrivalled programme of 120+ hours of content from more than 150 speakers from across the globe.

If you love the sound of the Wildscreen Festival 2018 and want to keep up to date with the latest news, why not visit wildscreen.org/festival to find out more!

May 16

Arkive would like to introduce The Wait, a short film from production company Contra, which follows the journey of a wildlife photographer on a hunt to document the elusive European bison in its natural habitat of the Romanian mountains. The story details how it can take weeks to capture a shot, and the patience required to wait for this moment.

We have been speaking with Michel d’Oultremont, wildlife photographer and subject of the film, to learn about his motivations for wildlife photography.

Who are you and what is your profession?

Hello, my name is Michel d’Oultremont, I’m 25 years old and I have been a wildlife photographer since the age of 10 – I have had the great fortune of starting very young with an unconditional love for wildlife!

Michel d’Oultremont

Michel d’Oultremont

 

We found The Wait to be very emotive. Can you tell us more about your relationship with the natural world and why you wanted to photograph the European bison?

My relationship with nature is very special – I spend hours and hours in the wild trying to find and observe wildlife. It’s a way of life for me! Since the WWF (Worldwide Wildlife Fund) has started to reintroduce wild bison into the Carpathian Mountains of Romania, it has been a dream of mine to explore this region and to see these spectacular beasts. I’ve always been quite drawn to big animals like bears and muskox, so the bison is the next logical progression of that passion!

European bison © John Ford

Your creativity with the landscape shows through your work, do you have a specific image or style in mind before you begin shooting?

It all depends – I like to capture the animal in its natural habitat, so often I have to relocate to find the best light and environment. Once I’m set up, I wait for an animal to pay me a visit: a nature photo is a meeting – you just have to wait for it to happen. Although sometimes I do think more about the image and I try to realise it in any way I can.

What do you want to say with your photographs, and how do you actually get your photographs to do that?

It may sound stupid, but I try to capture beauty in my photographs, to show the beauty of wildlife. So I try to take photographs that highlight this beauty and make for aesthetically pleasing pictures. When I manage this it is a real pleasure, but it doesn’t happen very often – maybe four or five times in a year.

Short-eared owl fight over a mouse during winter in France, no bait used © Michel d’Oultremont

Is focusing on a reintroduced species of particular importance to you? Do you feel any extra pressure when capturing images of a rare creature?

This type of project is very important because it allows wildlife to come back to its stomping ground. The work of the WWF is very important – they make the reintroduction of wildlife into the mountains possible! I don’t seek out rare animals especially, I photograph everything that happens to pass in front of my lens so it’s more that I am opportunistic.

This picture was taken in Belgium right next to my house, this nice owl decided to nest in a tree that I know very well, a real treat to be able to observe them naturally  © Michel d’Oultremont

Which animals and landscapes would you most like to photograph if you had no constraints?

That’s a really difficult question, there are many species I dream of photographing, like the Persian panther or the Siberian tiger. I would also love to go to the Canadian Arctic to see Polar Bears! There is still a lot to see, and that’s what’s great!

The Wait conveys a sense of solitude and at times loneliness, what is the longest and hardest time you have spent waiting for a subject?

I have had to wait several weeks before finding the subject and light I’ve been hoping for! But this isn’t restrictive because there are always things happening. The most difficult conditions I’ve experienced are without a doubt winter in Norway, where I was caught in a huge snow storm, but I love that these difficult conditions bring a sense of poetry to the images.

“I stayed at a location in Sweden for a week waiting for the singing black grouse. One morning the whole area was frosted, the sun was reflected on a cloud and in the drops of water, which gives these incredibly magical colours!” © Michel d’Oultremont

What is one thing you may recommend in wildlife photography?

The best advice, I think, is to know and research the species well, and do everything you can not to disturb the wildlife.

Top three items you never travel without?

The three things I always travel with – apart from my photographic equipment, of course – are my binoculars that I always take with me, my knife for quickly making a natural shade, and my notebook to try and write down everything I experience in the field.

Romanian Mountains © Michel d’Oultremont

Romanian mountains © John Ford

We’d like to thank Michel for speaking with us. If you’d like to see more of Michel’s work you can visit his website, or find him on Facebook, Twitter and Instagram.

You can also visit The Wait website to watch the film and read more about the team behind it.

Apr 14

This week Arkive has been celebrating the US premiere of the environmental documentary Tomorrow, (Demain le Film). We’ve been featuring a guest blogs throughout the week, with documentary contributors discussing the global issues featured in Tomorrow.

Tomorrow’s US premier is in San Francisco TODAY! 14th April 2017. Find the Tomorrow Facebook or visit the website for a full run-down and trailer.

“Without question, this is absolutely the best and most creative film on the future of humanity and the environment.” – Paul Hawken, leading environmentalist

Tomorrow trailer

Tomorrow trailer

Who are you?

Cyril Dion. Almost 39. French. Married with two kids. I’m a filmmaker, writer, poet and ecological activist.

I also wrote and co-directed Tomorrow, it is my baby! It took me five years to make this project a reality, and I never thought it would take me to 17 countries and more than 120 cities.

I have always tried to find ways to express myself artistically and to be as useful as possible to people and the planet. First, I was an actor, then I studied and practiced natural medicine. I organised Israeli-Palestinian congresses including the very first two world congress of Imams and Rabbis for peace. I co-founded and directed an ecological NGO for seven years, created and ran a magazine, wrote three books, and now directed a movie.

Problems facing your field of expertise from an environmental/sustainability perspective?

Basically, a part of humanity could disappear by the end of the century if we keep on living as we do, especially in the western world. A few years ago, a study conducted by one of NASA’s lab showed that civilisations usually collapse when two factors combine: when we destroy natural resources faster than they can restore themselves, and when social inequality become unbearable.

We currently experience both problems. Unfortunately, this study is not the only one. Hundreds of them have been published all around the world warning us of the dangers of climate change, mass extinction of species, pollution, exploitation of people and nature.

Climate change effects include sea levels getting higher, ice melting at the poles, and extreme weather events like hurricanes and droughts becoming more common. Many animals are also struggling to survive as their habitats change.

If the current rate of deforestation continues, it is thought that the world’s forests will be gone in just 100 years.

Do you have any suggested solutions to the problems Tomorrow confronts?

I can build on what I have learned while travelling the world for the film. We need to shift from a material-oriented society where making money, buying stuff and creating economic growth is the main goal, to a world where we are living meaningful lives; being in harmony with nature and with each other is our priority. The good news, is that we have the know-how to gather everything we need: food, shelter, healthcare, money, great job, and community we can rely on.

One particularly interesting way could be to replicate what nature does and adapt it to our human organisations: circular processes, efficiency in networks, creating no waste, restoration abilities, nurture a very high level of diversity. Diversity is the key, if you have a forest with only one type of tree, when disease strikes, the whole forest is gone. But if you have different type of trees, some variety will resist more than others and the ecosystem has much better chances of surviving. It is what we call resilience.

Concretely, this means that we must not encourage monocultures, whether it is in agriculture (growing only one kind of crop on huge fields), in economy (having just a few big businesses trusting the all world with their food, clothes, furniture and so on), in energy (relying on fossil fuels), etc. It is too fragile.

We need to develop greater autonomy and diversity everywhere: organic food systems, local renewable energy, strong local economies with a lot of diverse independent businesses and to link all these territories to each other to have millions of local, ecological, economies interconnected.

Cyril has presented Tomorrow across the globe, including screenings at screened at the UN in NYC and at the European Parliament, during the COP21 in Paris.

Please describe your personal feelings on the importance of conveying Tomorrows message, and what impact you hope for it to have upon its audience?

We may face the biggest challenge human race has ever experienced. So, to me, nothing could be more important than empowering people to fix our ecological, social and economic problems! To do so, we tried to do something different from scary, depressing, and catastrophic documentaries pointing fingers at culprits.

I think Tomorrow is the first 100% solution-oriented documentary about ecology, economy, education, democracy… It carries another vision for the future. It is also trying to tell a story, our story: young parents preoccupied by the future of their children, trying to find new ways to make the world a better place. We wanted the movie to be pedagogical but as the same time moving and pleasant to watch with a lot of music, nice photography.

It has been released in more than 20 countries already and had a lot of impact in France, Belgium, Switzerland, and Canada where it has been seen by almost two million people… It’s been screened at the UN in NYC, at the European Parliament, during the COP21 in Paris.

We continuously receive hundreds of messages of women and men telling us what they’ve been doing after seeing the movie. We even opened a section on the French website called « the day after tomorrow » to collect these stories and actions. People start permaculture gardens, change their electricity supplier, move their money to local or ethical banks, start new jobs to be useful to their community or to the planet, some businesses are being launched, some local governments are taking actions… It would take a book to tell everything! So I hope it will happen in the US also.

 Final words to convey to the audience?

Just that we have the power to change the world if we want to.

You can follow Cyril and his work on Twitter, Facebook or on his website. All that’s left now is to say thank you to Cyril and the many other who worked tirelessly on Tomorrow to share with us a message which many would consider the most urgent problems facing our planet to date. We hope you all go out and watch it!

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