Aug 28

So you’ve watched all the BBC natural history & David Attenborough TV shows, you’ve been inspired by our filmmaker blogs and you have a fantastic film idea for Earthwatch’s Young Earthwatch Film Competition… but how to actually go about and make a film?!

With some help from the BBC and the educational charity IntoFilm, let us take you through some of the important aspects of filmmaking!

 

#1 – Storyboard

Story-what?! Storyboarding is an incredibly important aspect of filmmaking, it ensures your film has structure, no one wants to watch a bunch of random clips in no order!

 

#2 – Structure

The structure is similar to storyboarding, but goes a little deeper. We’ve established you need to have a beginning, middle and end, but why?

What is your story about?! What happens.. and to who? And how will it end?! SO MANY QUESTIONS!

 

 

#4 Lighting

Before you put all that effort into filming a magical moment.. make sure the audience will see it as clearly as you can. Lighting can really bring out the detail in a scene and make the viewer go WOW!

Equally, poor lighting can have your audience squinting at the screen wondering what they’re looking at..

 

 

#5 Sound

It may seem obvious, but making sure you’ve got clear audio is simply a must!

 

 

#6 Editing

You’re nearly there! Editing is all about choosing the best of what you’ve captured, and putting it all together in order.

Make sure it’s not too long, not too short, it’s your chance to add that extra polish to your scene: whether it’s a sound effect, cropping a scene, adding slo-mo or a even a time-lapse.

 

Hopefully these pointers will help you form a plan that finds you thoroughly enjoying the filmmaking process and not left scratching your head!

Entry for the Young Earthwatcher Film Competition is already open, and the submissions deadline is the 19th of September 2018, so if you’re feeling creative, then get to work planning that storyboard.

Remember, the winner of the film comp’ receives a prestigious Panda Award as well as a Panasonic Lumix DC-FT7  waterproof camera, and the two runners up grab a Panasonic Lumix DMC-FT30!

ENTER NOW!

www.earthwatch.org.uk/get-involved/young-earthwatcher-film-competition

 

Aug 16

This summer, environmental charities Earthwatch Europe and Wildscreen are looking for the UK’s best young environmental filmmakers. For the first time, the Young Earthwatcher Film Competition invites teens to create inspiring and informative conservation media to be shown at the world’s leading international festival celebrating natural history filmmaking – the Wildscreen Festival.

Open to UK residents aged 14 to 17, the competition calls for short, creative films highlighting any environmental issue and presenting a solution or action people can take to help meet the challenge. Steve Gray, Chief Executive of Earthwatch Europe, said: “Young people today will inherit a world shaped by our actions over the next decade, so engaging young citizens in environmental issues is key to a sustainable future for all. We hope the competition encourages young people to explore the natural world around them and inspire each other to find innovative solutions to pressing challenges.”

Through the process of making their film, participants will not only benefit from connecting with nature, getting creative and developing their communication skills, but will also play a valuable role in motivating their peers – the next generation of Earthwatchers.

“At Wildscreen we are passionate about nurturing the next generation of natural world storytellers and we are particularly eager to encourage a greater diversity of voices,” said Lucie Muir, Wildscreen Director. “The Young Earthwatcher Film Competition is part of this: a way for young people to explore and report on the environmental issues that concern them, inviting fresh ideas and new perspectives.”

The winner of the Young Earthwatcher Film Competition will walk away with a prestigious Panda Award – the ‘Green Oscar’ of the wildlife filmmaking world – and receive a Lumix DC-FT7 waterproof camera, courtesy of Wildscreen Festival sponsor Panasonic UK. Each of the runners-up will receive a Lumix DMC-FT30 waterproof camera. All competition finalists will receive an invitation to the Earthwatch event for the premiere of their films during the Wildscreen Festival in Bristol in October.

What are we looking for?

The film must:

  • – Introduce an environmental issue
  • – Present a solution or action that people can take
  • – Be no more than two minutes long

Further details, rules and registration can be found at www.earthwatch.org.uk/filmcompetition.

Dates for the diary:

  • – Competition deadline: 19 September 2018
  • – Finalists announced: 24 September 2018
  • – Earthwatch event at Wildscreen Festival: 17 October 2018
Jul 10

Wildscreen is the team behind Arkive! We’re also behind the world’s biggest festival of natural history storytelling. And we’ve now announced the nominees for the 2018 edition of international wildlife film, TV and content industry’s highest honour – the Wildscreen Panda Awards!

The ocean epic, BLUE PLANET II, leads the nominations picking up seven nods for the world-renowned BBC Studios’ Natural History Unit, in recognition of its stunning cinematography and never-before-seen animal behaviour. Keo Films’ RISE OF THE WARRIOR APES, which brings a gripping investigative approach to natural history documentary, follows closely with five nominations, topping the craft categories for its technical excellence.

Intimate personal stories and the use of authentic voices, with them being integral to the over-arching narratives of a production, is a standout theme across the 17 categories. The expert testimony and passion of scientists is central to many productions including JANE and ONE STRANGE ROCK.


“Humanity’s relationships and interactions with the natural world is what truly stood out amongst the nominees this year”, said Lucie Muir, Wildscreen CEO.  “We’re at a point in our history where we either choose to protect nature or we all suffer the consequences. Storytelling is a powerful tool for positive change and it was so encouraging to see a particularly strong field in the Impact award category in 2018. It was so strong in fact, that we took the decision to double the number of nominees, creating two sub-categories – small and large budget – recognising that big impacts and change is possible on any budget. These stories share hope and optimism for the future of our natural world and our place within it.”

The 2018 line-up also sees the first ever VR contender in the Awards’ 36 year history, with THE PROTECTORS receiving a nomination for the Innovation Award.

Oscar-winning Dame Judi Dench’s, MY PASSION FOR TREES, sees her nominated for the Presenter Award alongside Chris Packham and BBC wildlife cameraman, Vianet Djenguet.

The shortlist features productions from 12 countries, including Qatar for the first time, with each of the 37 nominees standing out amongst nearly 800 entries to Wildscreen’s international jury of more than 40 world-leading producers, broadcasters and craft professionals. But it’s not just the industry that decides the outstanding productions of the past two years. The Children’s Panda Award nominees were chosen by a 30-strong jury of 8-12 years olds from Easton in Bristol and a school in León, Mexico.

The winners will be revealed at the Panda Awards Ceremony which will take place on 19 October at The Passenger Shed, Brunel’s Old Station, in Bristol. The gala is the climax to the Wildscreen Festival, the biggest global gathering of natural world storytellers, which sees over 900 of the world’s leading filmmakers, photographers, broadcasters and content creators convene in Bristol for a week of business, film premieres and an unrivalled programme of 120+ hours of content from more than 150 speakers from across the globe.

If you love the sound of the Wildscreen Festival 2018 and want to keep up to date with the latest news, why not visit wildscreen.org/festival to find out more!

May 8

For the first time in its 36 year history, the 2018 Wildscreen Panda Awards, widely regarded as the most prestigious accolade in the wildlife film and TV genre, will recognise the craft of wildlife photography, with the introduction of the Wildscreen Photo Story Panda Award.

The Panda Awards ceremony is the flagship event of the Wildscreen Festival, the world’s biggest global gathering and celebration of screen-based natural history storytelling. The photo award is being launched to further cement the conservation charity’s commitment to and belief in photography as a powerful and impactful tool for raising awareness about and protecting the natural world across society.  It will celebrate and recognise the very best in photographic narrative, uniting it alongside the world’s very best natural world film talent.

© Neil Aldridge

Announcing the award, Wildscreen’s Director, Lucie Muir, said: “ As we approach CBD 2020, in Beijing, it is essential for the future of our planet that everyone understands the critical importance of biodiversity and the responsibility we all have to protect it. Therefore, there is no better time for Wildscreen to recognise the craft of wildlife and environmental photographers in telling nature’s stories, side by side and united with the world’s best filmmakers. Our community of talented storytelling professionals are transforming the way people see and understand nature, they are our eyes on our natural world and a voice for those that cannot speak, and it’s our role to celebrate and thank them.”

Jury Chair, Sophie Stafford, said: “Storytelling has been part of the fabric of society since the dawn of human language, but in a world addicted to instant gratification it’s a skill that is being lost. Sadly, there’s never been a time it was needed more. As pressures on the natural world become ever more intense, there is no better time to launch a photo award to showcase the most important and compelling wildlife stories of our time. This new Panda Award will reward dedicated photographers for committing the time and resources required to shoot a well-rounded story, and highlight the beauty of our planet and the challenges it faces.

 

CALL FOR ENTRIES

Entrants have between the 18 April to 8 June 2018 to submit photo stories comprising of between six to ten images that have an aspect of the natural world as a central focus, with a clear and powerful narrative weaved between the images.

The competition is open to professional and amateur photographers worldwide, over 18 years. The judges will also be looking for exceptional emerging talent photographers, under the age of 30, which will be considered for an ‘Emerging Talent Photo Story Panda Award’.

© Neil Aldridge

Entries can be made via the online submission portal on the Wildscreen website, available at: www.wildscreen.org/panda-awards

 

Judges

The inaugural competition will be judged by a stellar panel of international photography professionals, including –  Kathy Moran (USA), Senior Editor (Natural History), National Geographic Magazine; Britta Jaschinski (Germany/UK) photojournalist and co-founder of Photographers Against Wildlife Crime; Peter Cairns (UK) nature and conservation photographer and founding director of The Wild Media Foundation and Jasper Doest (Netherlands) conservation photographer.

The jury will be chaired by wildlife magazine editor and seasoned international photography competition judge Sophie Stafford (UK) and award-wining conservation photographer Neil Aldridge, winner of the World Press Photo 2018 Environment category, as the competitions’ technical consultant.

© Britta Jaschinski

 

Prizes

Three nominees will be announced in August with the overall winner revealed at the Wildscreen Panda Awards ceremony on Friday 19 October 2019. Each of the nominated photo stories will be featured in a large-scale outdoor photography exhibition in central Bristol, UK, in October 2018, reaching a public audience of over 45,000. Nominees will also be invited to present their work during the internationally-renowned Wildscreen Festival programme, as part of its unrivalled line-up of industry leaders.

Wildscreen Festival

The Wildscreen Panda Awards, nicknamed the ‘Green Oscars’, have sat at the heart of the Wildscreen Festival since it was founded in 1982. Taking place every two years, over 900 filmmakers, photographers and broadcasters from over 40 countries, convene in Bristol, UK for one week to do business, collaborate and celebrate the nature storytelling genre.

The Wildscreen Festival 2018 takes place from October 15 to 19 and will deliver an unrivalled programme of film screenings, keynotes, masterclasses and networking.

May 18

Daniel Craven is Durrell Wildlife Conservation Trust‘s Volunteer Manager, based at Jersey Zoo since 2001. A former professional footballer, Daniel is a lover of travel, animals and conservation. Durrell’s Underdogs is his first film and was made with the fantastic team of Dean Maryon, Bex Bohea, Shaz Syed and Marc Mitchell. It is an official selection at the 2017 Wildlife Conservation Film Festival in New York. This is his story.

Daniel Craven © Craig Jones

Daniel Craven © Craig Jones

My journey to India to make a film about the smallest and rarest pig in the world is one I will never forget. It was a wild ride but nothing compared to the epic journey of survival the pygmy hog, an animal once thought to be extinct, has had to go through.

‘Durrell’s Underhogs’ traces the origins of Gerald Durrell and ‘The Durrells’, in India, before joining up with conservationists Durrell inspired and who today are giving the pygmy hog a fighting chance. My journey started in Jamshedpur where Gerald was born. There I discovered more about the life of Gerald’s father, Lawrence Durrell, an ambitious and gifted civil engineer who ran the Darjeeling Himalayan Railway before working for TATA steel, as I learned more about his father it became clearer where Gerald’s drive to save species from extinction came from.

Pygmy hog © Craig Jones

The ‘underhog’ is fighting for survival © Craig Jones

The pygmy hog is one of the rarest animals in the world. It’s a typical Durrell project – a so-called “little brown job”.

These nest building bullet shaped mini pigs struggle for survival alongside the big mega fauna of tigers, rhinos and elephants that share its habitat and hog the limelight. Raising awareness, conservation support and funding to save this little hog is tough. It’s a real “under-hog”.

Pygmy hogs build and live in nests made of the grasses found in their vulnerable grassland habitat © Craig Jones

Pygmy hogs build and live in nests made of the grasses found in their vulnerable grassland habitat © Craig Jones

The Pygmy Hog Conservation Programme (PHCP) has been running since 1996 and is made up of a team of partners; Durrell Wildlife Conservation Trust, IUCN SSC Pigs Peccaries and Hippos Specialist Group, Ecosystems India, Government of Assam, and the Ministry of Environment and Forests, Government of India.

Arriving at the PHCP centre in Guwahati, Assam was fantastic. It’s one of the only places in the world to see pygmy hogs.

Hogs are bred at the centre to be released into the wild. It’s like a kindergarten for baby hogs with hoglets learning the basics from their mothers and siblings in a controlled, supportive and natural environment.

Mother and hoglet © Craig Jones

Mother and hoglet © Craig Jones

The second stage is more like being at university. Support is gradually taken away from the older hogs and they are expected to stand on their own four feet! This environment is similar to the wild areas where they will be released. Before graduating, the hogs must know how to feed themselves on insects, roots and tubers, similar to what they would seek out in the wild.

Baby hogs or hoglets are about the size of a computer mouse with legs! © Craig Jones

Baby hogs or hoglets are about the size of a computer mouse with legs! © Craig Jones

The project team, keepers and support staff that have been running the programme for the last 20 years are a breed apart. They share the same unwavering commitment to conservation as Gerald Durrell. They’re proud of the work they are undertaking to save a species from extinction. And step by step, they’re winning that battle. Massive restoration work has been done in Barnardi Wildlife Sanctuary to revive an area of grassland habitat where they once roamed. This beautiful area bordering Bhutan is the very park where the hogs were rediscovered in 1971 and can once again call their home.

The Durrell team enjoy a light moment during the catch-up and transportation of the hogs © Craig Jones

The Durrell team enjoy a light moment during the catch-up and transportation of the hogs © Craig Jones

Witnessing the 100th hog released back into Bornadi was a great example of how scientific evidence together with dedication, planning and hard work can pay off.

Pygmy hogs © Craig Jones

Pygmy hogs © Craig Jones

Durrell experts know how to save this species and they are doing it with the continued support of people who care about this remarkable little creature, thanks to them this “Under-hog” species has a fighting chance. If you would like to give pygmy hogs a helping hand, please consider donating to Durrell or becoming a member.  The documentary ‘Durrell’s Underhogs’ can be viewed through the Durrell website www.durrell.org/underhogs

To watch Durrell’s Underhogs film, visit their website

Find out more about pygmy hogs on their Arkive species profile

 

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